So...it's been a while.  I'm going to post here just for my enjoyment  and pleasure, and because after this week I'll be away for quite some  time.  Also, my internet has been screwed up for weeks, so the  likeliness of another post drops even lower.  This Song of the Week is  based on a song from a classic franchise: Pokemon.  The games in  particular are Pokemon Gold and Silver.  The inspiration to review this  particular track came from time sitting at home, hearing this theme all  over the house since two of my siblings have a tendency to play the  newer games set in Johto, Heart Gold and Soul Silver.  I always mention  when I hear this theme that there's this awesome remix for the theme  that a person hears whenever they battle a trainer from Johto.  Oddly  enough, this song has not yet been posted on OCR, but it is a part of an  OCR album called Pokemon: The Missingno Tracks (which is why OCR is tagged in this post).  Anyway, enough of this  babbling!  The album link will have a list of songs; the one I'll be  reviewing is 'Super Effective' by Fishy and Andy Jayne (Look at the track list and click on the title of the track to bring up downloading and song info, along with what the artist's input of the track).  Click on one of  the mirror links on the page to listen to it/download it, and let's get  this review started.
The beginning of the song starts out with a duet of strings and  piano.  The strings repeatedly play a low E, and the piano plays a  simple melody (at about the same pitch as the strings).  The whole thing  blends together quite well.  At 0:10 the strings play that E up an  octave, and this time that rhythm from them is faster.  Added to the  higher pitched strings are some light high-hat hits, which are heard  every other beat.  At 0:18 there's a percussion crash, and the real  melody starts to play at 0:19.  This melody is an electric guitar.  Now  the beat has picked up even more, the strings and the piano have dropped  out, and now it's just pure guitar.  However, one guitar just isn't  enough for this track.  Right now, I can hear not one, not two, but three guitars.  The first one plays the Johto battle theme, the second  plays the harmony, and the third plays the bass.  While listening to  the song, I notice that my attention is not on the melody that millions  have heard, but what really has me hooked onto this song is the  harmony.  Not only is is slightly louder than the melody, but it's lower  and faster.  Harmony is a must for this song, and right now the harmony  here is absolutely sick.  At 0:31 the melody from the higher guitar can  be heard a little easier, especially when it hits those high notes.  At  0:40 the song continues, but the melody is very briefly taken over by a  synth that plays one of the more "recognizable" parts of this theme.   At 0:45 a new section starts up, which has to be one of my favorite  parts of this track.  The three guitars are back, this time all in  synch.  The melody and harmony guitars are playing very fast eighth  notes at the same time, and the lower electric guitar (note: this is not  a bass guitar; it just acts like one by playing the longer, lower  notes.  It still has that electric guitar sound) plays once every other  beat.  I absolutely love the harmony here; it almost sound like one  guitar and one voice.  At 0:56 this section repeats itself after the  lead guitars finish that rhythm.  The guitar parts were recorded by  Fishy and placed on this track, so I can even hear that sound the guitar  strings make in the recording while changing notes.  At 1:06 a solo  guitar comes in for a brief interlude of the Johto battle theme while  the harmony guitar drops out for a couple seconds. After this the song  goes into a new section.  At 1:12 the melody slows down for a little  bit, although the incredibly fast tempo stays the same.  The harmony is  still completely in synch with the melody, although the  percussion/melody has changed their rhythms into a more laid-back style.    At 1:21 the upper guitars just go crazy, and the low guitar plays a  melody of its own.  At 1:24 there's a new section that starts back up.   For this part of the song, there are two things going on right now.  The  first thing I'll focus on is the catchy melody from a single guitar.   The melody is high in pitch and also slightly repetitve.  What I really  want to focus on though is the lower guitar.  At first I didn't even  notice this, but the lower guitar is playing the real melody, which is  another part of the Johto battle theme.  If you continue listening  through 1:34, the low guitar and high guitar suddenly connect.  Now the  lead guitar is playing the melody heard at 1:24, and the low guitar is  back to being the bass.  To start up a new section at 1:41, the guitars  quiet down while the strings come back for a mere three seconds.  At  1:46 the section starts up, and the two main guitars return to play an  all new melody.  However, this time around the low guitar is actually  playing with the other two.  So now all three guitars are completely  in synch.  This melody doesn't last long though, for yet another new  section starts back up at 1:56.  The main melody is still the battle  theme, but the harmony is different and strings join in to play the  melody with the other guitar.  At 2:05 there's another minor section  which has the melody from one guitar, the harmony from another guitar,  and wait, another harmony from the third.  At 2:15, there's a guitar  solo which picks up to a section that is exactly the same as the  beginning section at 0:19.  This section will continue for a while, so  if the readers have already forgotten what it sounds like, please see  the beginning of this review.  At 2:39 everything that was in this  section dips down in pitch and fades out.  At 2:41 there's now more of  an electronic section here, consisting of an electric-guitar like synth  with a rather hollow sound to it (it's sort of hard to describe).  It  may be a different sound compared to what we've been hearing, but it  still keeps that crazy, rock feel.  Anyway, this melody is pretty crazy  while the low guitar continues to back everything up with the  percussion.  At 2:56 this section starts to conclude with the synth  going up and down in pitch repeatedly.  At 3:01 the synth and the beat  goes faster, and then the section ends with a very fast note run.  At  3:06 there's another section repeats itself; this time it's the one back  at 1:12.  The rest of the song here is now pretty repetitive; starting  at 3:19, the entire section from 1:24 to 1:56 repeats itself.  I don't  believe there are any differences between this and the sections in the  past.  At 3:44 the section is almost exactly the same as the one  starting at 1:56, but instead of the strings playing the melody, it's  just the guitar alone.  Also there are a couple differences with the  melody, for the rhythm has a little more flair and added notes placed.   The notes of the guitar continue to get higher and higher until 4:00.   At this point the guitar reaches a boiling point, and the guitar is  going extremely fast.  Plus, this moment of craziness lasts for a whole  ten seconds!  After that the same section just repeats itself.  At 4:30,  the song is starting to die down a little bit.  The guitars have  dropped, and the percussion has dropped as well.  The strings now play  in the background, and the piano now plays the battle theme in a more  relaxing way.  The rhythm from the piano is pretty repetitive, although  it always sounds different because of the various harmonies from the  strings.  It's a nice, soothing way to end such a crazy piece.  In the  end one last note is played, and the song fades away.
Pros: This has absolutely awesome guitar recordings, and a great  tempo that always stays consistent.  I loved the harmonies that were  everywhere throughout this track.  I liked how everything that was in  the song would change roles once in a while; I'm mainly thinking of the  sections at 1:24 and 3:19 when the low electric guitar acting like the  bass played the melody.  I used to hate this particular theme from  Pokemon, but it's because of this piece that I learned to love it.   Also, I loved the ending and how this song concluded. 
Cons:  Alright, let's face some reality here.  While the song is pretty  cool altogether, it's so repetitive.  It repeated almost the entire  first half of the song during the second half, and there wasn't much  happening that actually made this any different than what we've already  heard.  Also, I thought that the strings that joined in at 1:56 were a  little unnecessary.  Plus, the song was basically a repeat of the  original theme.  There wasn't much other than the instruments that  contributed to making this arrangement unique to the real thing.
Overall: Usually an electric guitar remix doesn't stand out much to me,  but I'm making an exception for this one.  Excellent guitar work from  Fishy, and this is a great arrangement of one of the classic Pokemon  themes that we all know and love.  Although it may be repetitive, it's a  great blast into the past that takes you back to the time where the  Gameboy Color was the latest video game system.  Anyway, pokemon fans  would love it.  Awesome work.
Rating: 8.7/10
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"...when the Gameboy Color was the latest gaming system." Those were the days. Mine was given to me as a gift, packaged with Zelda: Link's Awakening, which despite it's few oddities (goombas?) remains one of my favorites.
I digress. The piece was surprisingly fast, as you said. I expected energy, what with the animals murdering each other to death, but to this extent?
Wow.
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